10,000 plus people at Big Temple

On most Mahasivaratri nights, we have been stationed in Chidambaram. Those were the years when a private Trust used to hold the Natyanjali in the eastern yard of this great temple.

This year, we decided to be at Sri Brihadeeswara Temple on the night.

And goodness, there were some 10,000 people swarming the Big Temple campus this Monday evening.

Sadly, the yard leading to this World Heritage site and the first gopuram was badly lit. There were no lights burning in the yard and the road lights alone lit up this space.

Is this how we light up a World Heritage site?

Sad.

New plans at Big Temple

It was past midnight when we drove into Thanjavur for the Natyanjali at the Big Temple which opened on March 4, Mahasivaratri evening.

Brahan Natyanjali Foundation, a private body used to manage the fest the past years. This year, South Zone Cultural Centre (SZCC) based in Thanjavur, a  government body to promote the arts has taken charge and is hosting the fest with 2/3 recitals every evening for 7 evenings.

The masonry platform that runs around the giant Nandi makes for the natural stage for the dancers.

The Natyanjali in Mayiladuthurai

The Mayura Natyanjali offers a grand stage; some 25 / 30 feet wide, grandly decorated and Chennai-based lighting expert Murugan was at the controls this year; bathing the stage and the artistes in mood lighting to suit their recital themes.

The team which hosts this fest is a tight one and its members are on stage and off it every evening.

The hour we spent here we sat through a production of a locally-based dance academy; its 15 plus dancers fleshing out episodes from the lord Shiva tales.

Dancer Archana Narayanamurthy who came on stage to felicitate the dancers spoke, telling the audience of the challenge in producing the dance they had just seen.

The temple, a sprawling one certainly needs like many others better lighting to hold up the amazing architecture and sculptures here.

We stopped at the gallery of the Nayammars alongside one wall, their names fixed in small legends on the wall.

That Sunday evening, the flow of people was thick; the dance takes place in a yard some metres away from the sannidhi and some people chose to head there, sit for some minutes and watch the recitals.

Exploring heritage; a Mayiladuthurai morning

It is good to see our towns shut down one day of the week. People who work here need rest and leisure and the town wears a quiet, unhurried look.

Mayiladuthurai looked this this Sunday as we stepped out to explore this legendary town where the Lord Mayuranathar Temple was hosting a Natyanjali.

We stopped to look at some antique lamps, went around a church and a kuttai that held some water and were drawn at a colony that sported many large, tiled houses.

We were in Kooranadu. A land within a land, with loads of history.

The place where the Salai/ Salaian Chettiyar community who fled from Kanchipuram settled down after a Chola king appreciated their weaving skills and gave them a royal order. From here runs the great koora / koorai style of weaving, saris now made popular by Co-optex and private players.

We explored a sprawling Chettiyar mansion that is crumbling down while its stunningly carved wood pillars stand tall; met a Chettiyar who employs 400 people to craft wood and metal for temple-designed works of craft, checked out a new little hotel carved out of a bungalow and imagined the tributary of the Cauvery that once ran through this area.

Natyanjali pilgrims, the dancers and their friends often end up performing, praying and dashing off.

Here is an opportunity for the Natyanjali circuit to be fleshed out so that artistes explore local heritage.

Publicity blitz in Mayiladuthurai

Temple tourism, some call it. That high volume traffic to temples and pilgrimages that takes place every weekend is best seen in the Thanjavur region of Tamil Nadu.

As we checked into a hotel in Mayiladuthurai that Saturday night, well past midnight there was no room open for accommodation in this town.

Flex banners and wall posters on the dance festival for Mahasivaratri here greeted us at many road junctions.

The publicity blitz for the dances struck us the next morning as we stepped out for a spin around town.

The publicity had its impact; every other auto driver and hotel staff was aware of the Natyanjali being held in town, a town where the early hawkers at the town's market are the flowers sellers and where pawn brokers do business in every colony - serving desperate farmers who need a quick loan.

Outside the temple in Chidambaram, another Natyanjali

The yard inside a private campus located off South Car Street in Chidambaram was packed with people at 7 p.m.

Some 600 people sat to listen to a woman vocalist sing on stage.

This was Day 3 of the Natyanjali a private Trust holds year after year.

The Trust had been hosting the Natyanjali for over three decades inside the temple till the team got booted out by a set of Dikshitars who went on to curate a fest of their own.

This team, though discouraged has carried on its legacy. And does it well. The stage, the lighting, the seating and the visual coverage is of a good standard. 

From Bharatanatyam and Kathak to Pung Cholam and dancers from Singapore and Australia, this festival is well run. well presented.

This Saturday night, artistes from Imphal wowed the audience with their acrobatic drumming in Pung Cholam and Dhol Cholam.

Then, Chennai's Srekala Bharat and her dancers presented excerpts from Dasavataram.

The audience thinned after 9.30 p.m. By then, they had seen a variety of recitals.

Chidambaram; scenes inside the temple of lord Nataraja

Chidambaram was seized this Saturday evening - hundreds of vans and buses, hundreds of cars and bikes, hundreds of autos. Seizing the car streets that run around the great temple of lord Nataraja.

Groups of boys and girls in school uniforms crowded around hawker stalls selling small framed images of gods and goddesses even as a few young dancers fought their way into the temple through the eastern side.

Thousands of people were inside the temple.

Workers were removing carpets and metal sheets, hangars and wooden poles used to set up the pandals for a recent abhiskeham inside.

A large flex banner promised a Guiness Record of Bharatanatyam dancers - target 10,000 - performing in the temple.

Some said it would be for Sivaratri.

On the steps leading to the decaying, locked 1000-pillared mantapam in the north, a small group of dancers performed to live music as two cameramen recorded the recitals.

A banner said this was a festival for Sivaratri.

"Its the prelude to the main dance festival here," a Dikshitar who is part of the host team told us.

Two dozen people watched. Some chatted. Some looked closely and then walked away.

As the setting sun's rays lit up the faded yet strong sculptures of dancers and musicians that adorn the base of the 1000-pillared mantap, the dust from mounds of papier mache and mud that had created the bowls for the rituals conducted closely swirled. 

The smell of urine passed by humans along the walls of the mantap was a stench.

The mantap, in chains was certainly dying a slow death.

Another set of dancers took the stage.

Preparations for Mahasivaratri carried on.

On the Natyanjali tour . . .

Our Natyanjali tour always rolls down the scenic East Coast Road (ECR) that runs south from Chennai.

And as we drive down this road where the coast keeps you company, the flag masts, music on the loudspeakers and posters on walls tell you that the community is preparing for the Sivaratri celebration.

At the odd temple, a music or a dance concert is scheduled.

But the impressive images are of giant illuminations of lord Shiva that comes alive by the highway side, as the sun goes down.